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BREEDERS, THE – TITLE TK" Title TK also finds Deal dabbling with new sounds, with hit and miss results. "The She" is built around a Stereolab ish keyboard vamp, and while you shouldn't expect grooves as tight as Le Tigre's, the Breeders' rough and tumble brand of funk is convincingly nasty. But the silly slap back percussion of "Sinister Foxx" and Record Engineering 101 channel swapping guitars on "Huffer" aren't exactly cutting edge. Still, when the Breeders set out to rock

C12 Olé Mulholland C13 Fazer Eyes C14 I Could Stay Here Forever C15 The Hostess With The Mostest

Religious Vomit Moral Majority Hyperactive Child Kepone Factory Dog Bite Nazi Punks Fuck Off We've Got A Bigger Problem Now Rawhide

Turnstile's studio experiment is but a ledge to leap headfirst into the moshing throng

” is an enthralling trip into the land of funk

tire-pressure-dangerously-low

This is a recording of a studio live sound source in Aberdeen

Pay To Cum Don't Bother Me Don't Need It At The Atlantis Super Touch Regulator You're A Migraine Don't Bother Me Blackjack Black Dots Send You No Flower Redbone In The City Sailin On Attitude Right Brigade Big Take Over Jah Calling Blackjack Send You No Flowers Redbone In The City Unknown Unknown At The Movie We Will Not

Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer

Playing a style that sounds like a syphilitic union of Bathory

The song won Sam & Dave a Grammy in 1967 for Best R&B Group

just prior to the band's near-fatal bus accident

as well as Portland punk notables Jerry A

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